S. Andrea al Quirinale was Bernini's architectural masterpiece. A detailed account in the Jesuit Archives now allows a more exact chronology and shows how the design evolved over a fourteen-year period, 1658-1672. The church, which is often compared to a jewelbox, is used as the starting point for a discussion of various attitudes to wealth on the part of baroque architects and patrons. The issue of Bernini's classicism as an architect is discussed with reference to his use of geometry and his development as a designer of church façades. The famous rivalry between Bernini and Borromini is seen as a result of fundamental differences of principle, though some examples are presented from the late 17th and early 18th centuries which show attempts to reconcile the styles and approaches of the two unfriendly geniuses.
- Copyright 1982 The Society of Architectural Historians